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Lomography LomoChrome Metropolis XR 100-400 Colour Negative 120 Roll Film

Lomography LomoChrome Metropolis XR 100-400 Colour Negative 120 Roll Film - Main image
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$8.07 $10.9 In stock

Category: Film

Lomography LomoChrome Metropolis XR 100-400 Colour Negative 120 Roll Film

Unique chemical formulas set our LomoChrome color negative films apart. The brand-new, experimental 2021 formula LomoChrome Metropolis features punchy contrasts and muted tones with intense pops of color.

Key Features:

  • Remarkable results with #nofilter required
  • Unique extended ISO 100–400 range
  • An unmistakable aesthetic with characteristic grain
  • Standard C-41 development process
  • Craft dazzling portraits and enchanting cityscapes

Following the success of our LomoChrome Metropolis 2019 formula, we have created a brand-new LomoChrome Metropolis 2021 formula. We have reworked this experimental film to bring even bolder color contrasts, stronger saturation and the iconic grain to 35 mm, 120 and 110 format.

Lomography LomoChrome films are totally unique. With special chemical formulas and trippy emulsion concoctions, we have crafted some of the most experimental and extraordinary films on the market today. Forever committed to the continuation and advancement of analogue photography, we are proud to be one of the only companies still developing fresh, new films for contemporary photographers around the world.

MPN: F2120MPOLIS21

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Customer Reviews (4.2 / 5 · 5 reviews)

Daniel T. ★★★★★

Finally got around to shooting a roll with that experimental 2021 formula, and the desaturated, moody color palette is exactly what I was hoping for. The tones are so distinct and cinematic—makes every frame feel like an old film still.

James X. ★★★★★

The 120 roll format gives a lovely medium-format grain, and the unique color shift really made my street shots look moody and cinematic. I've been blown away by how the desaturated tones handle contrast in low light.

Samuel T. ★★★★☆

The 2021 formula handles mixed light surprisingly well—I pushed it to 400 in overcast conditions and the muted tones still held their character. Grain is noticeable but pleasingly cinematic, though I did have to adjust my metering more than with standard 120 film.

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