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Jacquard Cyanotype Set for Photographic Blueprints

Jacquard Cyanotype Set for Photographic Blueprints - Main image
$13.49 $17.99 In stock

Category: Darkroom Chemicals

Jacquard Cyanotype Set for Photographic Blueprints

We all know that in modern-day Britain it can be difficult to accommodate a darkroom at home and even in education establishments there might not be the will or expertise to set up a darkroom from scratch. But that's no reason not to explore the fascinating world of analogue in a contemporary way.

Printing-out paper or Sunprints are based on the old process of cyanotype printing. Distinctive for producing Prussian blue monochromatic prints, Cyanotype photographs are made by placing objects such as leaves, shells, flowers or textured patterns onto the surface and exposing for a few minutes in sunlight onto a sheet of our paper. The paper is then rinsed with water for 30 seconds to reveal the print.

The result is an image formed by light and objects. The objects block light from the paper, creating white shapes. Areas not blocked - exposed to light completely - are blue/cyan. We thoroughly recommend this process for art and nature projects within schools. Developed in the mid-19th century, cyanotype was quickly embraced as an inexpensive method for reproducing photographs, documents, maps and plans (hence the enduring architectural term - blueprint).

This little kit is a great way to get started in cyanotype printing. It's also our cheapest set which makes it great for students and beginners.

The kit includes:

  • Part A - Potassium Ferricyanide 0.8 oz/23.2 g
  • Part B - Ferric Ammonium Citrate 1.9 oz/54.4 g
  • Full instructions for use on any natural surface, including cotton, linen, silk, canvas, wool, paper, wood and leather. Quick instructions are listed in the Manufacturer's Description.

This set contains enough chemistry to make approximately sixty-five 8 x10 inch prints on paper or fifty 8 x 10 inch prints on fabric, depending on the absorbency of the substrate.

MPN: JCY1100

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Customer Reviews (4.8 / 5 · 5 reviews)

Jason Q. ★★★★★

Mixed both bottles in about ten minutes and the solution kept fine in a mason jar for a week. The blues come out a deep, rich navy on cotton, and the exposed areas wash out crystal clear. Perfect for someone without any darkroom space.

Violet A. ★★★★★

I pre-soaked my paper in distilled water before applying the sensitizer and the final blue came out so vivid it looks like a real cyanotype from the 1800s. The two-part chemistry was simple to mix even for a beginner, and I managed three 8x10 prints in under an hour.

Ryan V. ★★★★★

The step-by-step mixing process felt surprisingly forgiving for a first-timer—I botched the ratios on my first batch and it still printed a clean, deep blue. The included paper absorbed the sensitizer evenly, and watching the image develop in plain tap water was genuinely magical. Perfect for anyone